Skydiving without Parachutes

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Adrift in a sea of change….

About those Scenes

Many of us, not all, taste our first sip of love from our mother’s heart. Depending upon the woman and her emotional circumstances this is a first glimpse into the unconditioned embrace of being alive we’ll later seek in our grand search across the universe for connection. Seeking love is narrative, finding it is finale, writing beyond the heart struck sweet bliss is pure fantasy. Not all of us have the same capacities, some of us find little love in the world while others find too much, each comes with its own set of awkward circumstances and fates. What a character does with their heart helps us cheer them on or if they fail, the painful demise helps us feel the same human anxiety haunting us all. And we haven’t even talked about the hot sex yet!

Women of the Oak Savannahs… A Fragment

Jessica and Tyler ceased moving, stopped speaking, her cheek set on her pillow, his cheek on his, she searched one eye then his other. Tyler did the same, dialing in, finding they were on the same wavelength, the two had been a tight fit from the first. Every minute or so one or the other would take in a deeper breath and then exhale. With each tick of the clock Jessica’s confidence increased. Pulling her arm out of one sleeve and then the other, she threw Tyler’s t-shirt off the bed, feeling more sure, coming in closer, skin to skin, pregnant, filled with expectation, Jessica left no room for doubt, the time for second guessing was over.

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Looking for Love

 

 

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Velocity of our Change

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Jacaranda Petals Healing the Velocity of Life

Out Loud…

Long fiction, scene by scene, attempts to decode the workings of our ever smaller world. Politics, culture and commerce bombard our nervous system from the mundane to the uninvited digitized global events we view on our media devices. Individual freedoms in this interconnected phenomenal life are proving to be illusory and failing that within just an instant forgotten then  irrelevant. The long fiction writer is scrubbing the temporal landscape, we depict neural networks, free associating matrices that flicker-light through the shadows of our daily lives. Pace of time, velocity of attention, the sense that our ability to think through the circumstances we are folded into becomes scattershot and piecemeal. Neither at the beginning or end of this technological revolution, we are lost in the chaotic Dadaist like midst of a world disrupted. Because the event horizon has accelerated the long fiction writer has to work quick to speak to the moment or have the next moment overtake what he has spent so much time preparing his readers for.

Dialogue from the new novel

“See that, try to sign me up and you end up getting picked for an inside job.”

Like Piper, Jessica filled her jeans full to temptations brim, the activist felt safe enough with Piper’s companionship, looking at Jo she said, “You’re going to be the best. The big boys are going to be pleading for mercy once they find out what kind of woman they’ve run up against.”

Tyler, Ronnie, Piper and Jessica were gangling guiltlessness, mercurial mischief makers. Jo knew among her three friends that, “none had had their chests cracked in two, hearts half eaten, left for dead on the side of the road, none had found that kind of love, not yet.”

“Come on, Dudes, lets go have a swim party…” Tyler said.

“Go on, go, all of you…” Jo could smell the hijinks. “Running around a swimming pool in my underwear with you two? That would just piss me off. Go on, get,” she clapped her hands, “you don’t need any adult supervision.”

Grappling with the Tease

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Where Words Live

We are editing Women of the Oak Savannahs. I’ll miss the syntactical twists that must be removed, the favorite phrase that has to go. You come up with a fascinating vein, you milk it too long, you cut the clever idea back until from the twenty sentences you started with you are down to one and the thing means nothing and the whole matter is dropped. That can take most of a day.

The paradox of being a good writer means you are a rule breaker. You  know what you want to say then find doing so within the rules of grammar is a confinement resembling an unhappy marriage. You want to go have an affair with words you should not be sleeping with.  Writers are riven with weakness but will the stubborn and suspect remain faithful to their craft.

There are moments of inspiration followed by hours of grappling hand to hand, rock to rock, word to word. I have been wordsmithing a snappy teaser to my latest novel. I’ll leave it here and be finished with you.

Hundreds of thousands of trees are felled by Napa Valley’s wine barons in collusion with campaign contribution compromised politicians.  The bitter defeat of the still powerless majority proves to be the crack in the wall of ever dwindling support for an industry that has finally gone too far.

 

 

 

Into the Wilderness

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BABY IT’S COLD OUTSIDE

Our negotiators didn’t put their thumb down on the scale of who would benefit most from trade agreements they pressed their middle finger down. The damage has exasperated citizens  while further enriching the very wealthiest among us. Nice work if you can get it, and party hardy until the social upheaval hits the ceiling fan installed somewhere over Kansas.

If we had set policy so that our workers, our moderate income earners, our middle class benefited most… more than Wall Street, more than the Big Banks, more than the transnational corporations, we would not be in the fix we are in.

Two specific broken policies. Our negotiators broke their promise to invest in worker retraining programs. Higher education instead of going down in cost went up. Instead of scholarships and grants for displaced workers those funds were cut from the Federal budgets.

The second broken promise? Workers and communities harmed by new trade agreements were promised funding to help rebuild the impacted communities and to assist workers who needed relocate to new communities where new jobs were being created.

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Not a day goes by… Not a single day…

The heavyweight big money boys continue to pulverize to smithereens all the lightweight small change best idea girlie girls. Instead of setting enlightened policy for the workers we have installed a vulgar liar that results in evermore chaos, solving nothing, while looting, pillaging and profiting from the spoils of their partisan victory.

Practical solutions are not fueled by this much anger. They just aren’t. We have turned over the keys to the car to a vast trove of men temperamentally unfit for high office. Our problems are only going to become the best problems we have ever had. They’re going to be huge problems, the best, biggest, hugest problems many of us have ever seen. And they’re going to make us pay for their problems. Not Mexico, not some global elite. We are going to pay.

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“Why not be the best version of our self right now, starting today? I see you. I see the best version of you, something better keeps reaching out, something inside you keeps trying to touch something inside of me. That’s what I want. I want what we have.”

Women of the Oak Savannah’s 

Comedy as Balancing Act

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Comedy requires concision. As I’ve been building my story I’ve had to battle filling in enough narrative to make the mind’s eye see the scene while maintaining the pace of the story so as not to derail the momentum. It is a brutal dance of first building the chapter and then removing anything that does not propel the plot or is not funny… There is a degree of difficulty here that I would not have been capable of understanding had I not written two bigger novels.

HOT SPRING HONEYMOON

“Always use a high roller at a card game,” Fletcher said.

“Poker playing, men play cards all the time.”

“Mormon’s don’t…” Gage said.

“Give a Mormon half a chance,” Fletch said, “and they’ll be most hung-over rooster crowing at sunrise.”

“Enjoy a game twice as much,” Keefe said, “and be three times as ashamed.”