I wear two hats now. One is performer, the other is author. Closing a show with a routine that will thrill the audience is an essential ingredient to good street theater. Without this climactic stunt not only will the show fall flat but so will the audiences response to putting some money in
In both Highway Home and Bankrupt Heart I have some scenes that have been built around performers. One of the first things I have had to grapple with was how to handle the emotional peak of a finale. One thing is sure. A finale in a novel is not anything like a finale as performed in front of an audience. Well written sex can be a turn on. There is no “turn on” button to fictionalized vaudeville closing routines, at least not one I have been able to write.
To work around this problem I have tried to devise other methods of engaging the reader so that the experience while not anything like a live show is at least an opportunity to read an account that provides depth and insight into what that experience might be like for the character playing the performer in the novel.
Writers like challenges. We like to write new scenes. If we find our characters in the same situation as in a previous story we will try to create another solution, another reaction, solve the puzzle and invent another way out. A professional variety entertainer having found his best closing routine generally will stick with this discovery if and until something better comes along. I think Sinatra knew this and why New York,
New York was his closer for so many years. The big skill in this repetition of a closing routine is the ability to deliver the thrill climax again and again. Why we usually close with a time tested sure fire bit.
My current finale, the present ending of my street show, ends with… Well, let’s just say it is a work in progress. I am still refining the music, the jokes, the blocking.
I’m grateful for two things. That my performing dog had to retire and forced me to come up with a new closing routine and, Bankrupt Heart is complete and has forced me to start planning a new novel.
BANKRUPT HEART THE SECOND NOVEL
In the sound booth a special
effects track plays what appears to be a car slamming on its brakes, followed
by a horrible collision with the final touch the sudden surprising sight of a
hubcap rolling onto the floor from where Mooch had just exited and then rolling
all the way across the stage and vanishing on the other side, behind the other
Ry enters from where the hubcap vanished, “Mooch, the man who does with two wheels
what Picasso did for paint…” Ry puts his arm out pumping his fingers, waving
Mooch back on to take a bow. Instead there are two men carrying him across
stage on a gurney. He looks lifeless. The two men carrying the gurney pause
center stage, then from the center of Mooch’s tummy a spring loaded magician’s
bouquet of daisies pop up out of his gut. Then the two men remaining poker
faced with Mooch feigning death solemnly exit.
Bankrupt Heart Copyright © 2011 by Dana Smith